Post-Moderne: A Modern Method to Color Grading with DaVinci Resolve For the first time in recent history, a Montreal based colorist has been nominated for the prestigious Hollywood Post Alliance Awards in the Outstanding Color Grading for a Feature Film category. Post-Moderne's Charles Boileau is one of five nominees for his work on Monsoon, a documentary shot in 4K that explores the social, economical and philosophical aspects of the Monsoon in modern India. Charles stands among nominees from some of this year's top films, including Birdman, Whiplash, The Boxtrolls and Lady of Csejte. ...Read More »
The Beach Should Be Sunny As part of the NSW Achievement Awards, the NSW government decided to shoot a video showing the various regions and the amazing creative work coming out of those regions. Australia is a beautiful country and highlighting its natural wonders, along with the work being done in each region, would be a perfect way to show potential companies what the Australian creative industry can offer. Ben Allan ACS had one day to shoot at Byron Bay in New South Wales. One day to capture the sand, surf and beautiful weather that has made Byron Bay a vacation paradise. But it was raining. And not a nice quick sun shower. Raining buckets. ...Read More »
Howard Lukk's Short Film 'Emma' Gets the High Dynamic Range Treatment with Help from DaVinci Resolve There is something special about "Emma." Not only did the short film have its screening at the 2015 Cannes Film Festival, but it was also one of the very first films shot and produced in a High Dynamic Range (HDR) workflow. HDR produces a greater dynamic range of luminosity and allows the cinematographer to capture and display a much wider contrast ratio. And while HDR requires filmmakers to pay more attention to the nuances of shooting, such as lighting, production and costume design and makeup, being able to take advantage of a greater range in color in post production creates truly stunning images more akin to what the human eye sees. ...Read More »
A Tale of Two Films Daniel Stuyck never set out to be a colorist. Having moved to Austin, TX to attend graduate school in film production at the University of Texas, he found himself in a situation not uncommon to most independent filmmakers. Daniel started getting asked by friends and fellow graduate students if he would grade their films. Word of mouth is how Daniel came to grade both SXSW Grand Jury Prize winning films. ...Read More »
AIMA FILMS: Discovering The Texture of Cinematography Engaging all of the senses on a one dimensional plane takes incredible talent, a vision and a little Blackmagic. Through filmmaking, director Jorge Díaz Fernández, photographer Daniel Zanco and producer Mariano Bravo pull off the improbable, planting the grain of a commercial idea and growing it into a story. The three co own AIMA FILMS, an agency that forgoes traditional film shooting in favor of marketing through art. This emotional tug sets the young entrepreneurs apart. They each bring their own experiences into their work, be it a love of the horror genre or an aptitude for designing clothing, and they host weekly brainstorming sessions to work them all together into trial art projects. ...Read More »
Content Insider #402 - 4K Play By Miles Weston 4K entertainment is real. Media people want to deliver it and consumers really want it, can understand it despite what various segment players say. But no segment can do it alone...it's an ecosystem. If the few don't want to do anything but promote excuses they can and will be left behind. There's just too many ways to capture it, produce it, ship it, view it, store it. It's time to meet the consumers' demands or wonder what in the **** happened! ...Read More »
Giving Southern Food the Right Look with Popeyes Louisiana Kitchen and DaVinci Resolve Think of Popeyes Louisiana Kitchen and images of warm, savory comfort food probably come to mind. The restaurant's unique "New Orleans" style menu offers southern food items like spicy chicken, chicken tenders, chicken and biscuits and fried shrimp. To make Popeyes' famous food look as good in its broadcast TV commercials as it tastes in real life, colorist Brian Buongiorno of Tone Visuals uses Blackmagic Design's DaVinci Resolve. ...Read More »
Keeping a Film Look While Shooting in Low Light "Hero of the Underworld" is about redemption. And it takes viewers from high class life to the seedy world of drug dealers and drug dependence. The film is both literally and figuratively showing viewers the dark world of drug life.The characters in "Hero of the Underworld" exist in a dark world, but they also needed to be shown in stark, visible detail. DP and Director of the film John Vincent needed to toe the line of working with a limited lighting package while still keeping every expression of the actors visible. To do this, he chose to shoot "Hero of the Underworld" with the Blackmagic Cinema Camera and grade it using DaVinci Resolve. ...Read More »
DaVinci Resolve Helps Swordfish Mix the Old with the New As filmmaking continues to advance, it's important to invest in new technology, but also not to forget the traditional art forms and to continue to create in the original mediums. And often times, mixing the old with the new produces an even greater result. Mauricio Baiocchi, senior creative at San Francisco based motion design studio Swordfish, did just that on "Crickets Would Sing," a stop motion animated film based on short stories written by Frances Fabri. ...Read More »
Kinefinity and ASSIMILATE Partner to Deliver KineRAW Codec and Real-time Post Production to Chinese Filmmaking Market ASSIMILATE and Kinefinity today announced they are partnering to deliver advanced digital filmmaking solutions to the high-growth Chinese marketplace. The collaboration equips Chinese filmmakers with a streamlined all-in-one, value-priced solution for 2D/3D productions, from image capture with a high-resolution Kinefinity camera (4K, 6K) to using high-performance SCRATCH tools for on-set data management and dailies, and full post production - conform, color grading, versioning, compositing, finishing, and mastering. ...Read More »
Defining The Art of Shaving with Blackmagic Design For many men, shaving their facial hair is a necessary evil. If they are not careful, they risk nicks, cuts and irritation, and the process is tedious and sometimes downright uncomfortable. Although shaving can be a chore, it's a must for many, unless they want to look like a member of the Duck Dynasty family. One of the questions that employees receive most often is "What's the difference between a traditional and royal shave?" To help answer this question and help customers better understand its services, Director Christopher Califano recently shot a video that brought the shaving experience to life using the Blackmagic Cinema Camera EF, Pocket Cinema Camera and DaVinci Resolve color corrector. ...Read More »
Grading Martian Landscapes with DaVinci Resolve Creating a cinematic opening scene for a video game is incredibly hard to do well. You have a couple of minutes to tell a dramatic story that will capture and bring the gamer into a new world, as well as set up the background story and emotions for the countless hours of gameplay about to happen. And for game makers, the opening cinematic has to separate you from the hundreds of other games out there. ...Read More »
ASSIMILATE Launches SCRATCH Web ASSIMILATE launched SCRATCH Web, the first professional cloud-based multi-user collaboration and review tool that offers individual clip, timeline, or timeline+version sharing (SCRATCH CONstruct), and native support for industry-standard RAW camera formats. Now creative professionals in the digital cinema and broadcast industry - from producers, directors, DPs, and DITs, to editors, VFX and post artists - are able to publish RAW material in any format, in any resolution, at any time, from anywhere in the world. ...Read More »
ASSIMILATE Expands Metadata Support In SCRATCH and SCRATCH Lab ASSIMILATE today announced SCRATCH(r) v8.2 and SCRATCH Lab(r) v8.2. This new release significantly expands metadata support with powerful functionality across many key areas of the software, The v8.2 release also introduces Live View(tm), giving DPs and DITs the ability to capture metadata from live camera feeds, grade live, and create looks; a new H.264 encoder licensed from Vanguard, providing optimized encoding capability for Windows and now for Mac OS; and Oculus Rift support, for grading and compositing VR shots in real-time, with or without a headset. ...Read More »
ASSIMILATE Announces SCRATCH Play v8.2 Featuring Native Support For Oculus Rift And VR Media ASSIMILATE, the leading provider of professional digital dailies and DI workflow tools, today announced SCRATCH Play v8.2, the industry's most versatile free universal media player for professional and web formats. This new version of SCRATCH Play adds support for native real-time playback of cinematic content created for Oculus Rift - 360 virtual reality (VR) viewing. It also supports several new cameras and formats, including the Black Magic Pocket Camera, Magic Lantern support for Canon DSLRs, Panasonic RAW (vrw), as well as a performance boost for XAVC 4K. ...Read More »
Assimilate at IBC 2014 By Ko Maruyama Finally a pro player that works on both Mac and PC equally well. If you want to go ad-free (and you should), it's only a $5US purchase ...Read More »
Mikros Image Standardizes Digital Post Workflows on ASSIMILATE's SCRATCH Software ASSIMILATE announced that Mikros Image has purchased a company-wide site license for ASSIMILATE's SCRATCH finishing software and SCRATCH Lab, an advanced production and VFX dailies tool. Headquartered in Paris, France, and with subsidiaries in Belgium and Montreal, Mikros Image is a major player in the post-production market, offering high-end post services for films, commercials, TV episodes, corporate communications, and video games. Mikros Image also has a partnership with the LA post-production and visual effects company Eight VFX to develop a series of common projects for commercials and feature films. ...Read More »
SXSW Premiere "Thank You a Lot" Tells a Story of Austin's Music Scene By Lou Wallace Austin, TX may be known as the live music capital of the world, but it's also home to a thriving video production and film industry that promotes and champions local talent, with members sourcing expertise from within the tight knit community. Austin doesn't just keep it weird; it also keeps it local, which is exactly what Writer/Director Matt Muir and Producer Chris Ohlson did with their feature film "Thank You a Lot." Not only was the film shot in Austin, but Matt is also a graduate of the University of Texas along with the film's DP, Harrison Witt, who teaches courses in advanced cinematography and film production at the university. ...Read More »
Stereo D goes big with Quantel Pablo Rio In the past three years, Stereo D has taken the 2D-3D conversion industry by storm. In the last six months alone, 13 big-budget movies have been converted at the facility, with the company now holding an 85% market share in 2D-3D conversions. Quantel systems make up the backbone of its post-production workflow, with the company recently purchasing three Pablo Rio color correction and finishing systems in order to complete the 3D conversion and post-production of sci-fi action movie, 'Pacific Rim', directed by acclaimed filmmaker Guillermo Del Toro. ...Read More »
Steve Beganyi Takes Viewers on a Trip Around the World From locked cut to network delivery, Steve has just two to three days to color grade an entire episode. And that doesn't mean throwing one main grade onto the footage and calling it a day. It means creating a completely unique look for each episode that captures and enhances the feeling and theme of the specific location and trip. Steve's tool of choice that helps him deliver - DaVinci Resolve. ...Read More »
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