Case Study:
A Love Story
Stuart Gosling Wins Gold with RED and SCRATCH
Stuart Gosling is an established Director of Photography, who is also an experienced colorist. By applying his combined skills on-set and in the post-production suites, he is pioneering a new breed of the modern day Digital DOP. Most recently, The Australian Cinematographers Society awarded Gosling a Gold for Best Cinematography in the short fictionalized Drama Category for Simon Baré's A Love Story (premiere in 2010). Read More

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Project Profile:
SCRATCH and RED ONE Take Part in "Running with Bulls" for IMAX 3D
During ten very intense days in Pamplona, Spain, ITP Producciones Audiovisuales and D4D Ingeniería Visual shot 3D stereoscopic footage using the RED ONE(tm) 4K Digital Camera for San Fermín Films' Running with Bulls. Creative and technical teams from Spain, France, Russia and the United Kingdom worked together on this very demanding stereoscopic production that also included ASSIMILATE's SCRATCH(r) Digital Process Solution. Read More
Project Profile:
Star East Digital Ramps Up Productivity with SCRATCH Data and 4K Workflows
CEO Yoon Kim and digital artist Kevin Kang of Star East Digital Labs (Seoul, South Korea) were looking for another grading system to integrate into their existing post-production workflows. After putting SCRATCH(r) through its paces, they determined SCRATCH had the power, real-time performance, features, and stability to deliver high quality results for their clients. One such project is Take Off - the current #1 box-office hit in Korea. Read More
Case Study:
SCRATCH Delivers the 4K Finish at i/o post
Companies in eastern and central Europe have been quick to adopt new technologies that mirror the ever-evolving world of production and post. And i/o post in Prague is a prime example of utilizing the new digital workflow, with ASSIMILATE's SCRATCH(r) Digital Process Solution proving its worth as a nimble finishing system. Read More
Interview:
Yosemite National Park. . .in High Definition 3D
While 3D films have been around since at least the 1950s, the technique of creating 3D movies gets revisited quite often. Back in the mid 1990s at SIGGRAPH in New Orleans, Sony showed a 3D film at one of its after hours parties at the Aquarium, to the delight of all who were invited to screen it. At this year's NAB trade show in Las Vegas, all the major camera manufacturers were showcasing 3D displays and some had 3D camera demonstrations in their booths. Read More
Case Study:
SCRATCH Supports 3D Workflow for My Bloody Valentine 3D at Technicolor Creative Bridge
The use of Stereoscopic 3D and RED ONE 4K digital formats is on the rise and Technicolor Creative Bridge can readily handle the post production for both. ASSIMILATE's SCRATCH Digital Process Solution brings easy handling of R3D files and speed to their post process. Read More

Canon's EOS E1 video plug-in for Apple's ...
Canon reports that the EOS E1 video plug-in for Apple's Final Cut Pro was released today. This new plug-in allows simple and easy transfer of video content from Canon's EOS DSLR cameras directly into Final Cut Pro. Read More
 
Google, NSA may team up over cyberattacks: report
Internet search firm Google is finalizing a deal that would let the National Security Agency help it investigate a corporate espionage attack that may have originated in China, the Washington Post reported on Thursday. The aim of the investig... Read More
 
EditShare for FCP users / at BVE
EditShare? today announced plans to exhibit at the Broadcast Video Expo (BVE) 2010 exhibition held in Earl's Court, February 16th through the 18th. The 60 sq meter stand located at the front of the exhibition hall will offer demonstrations of... Read More
 
OMG! It's Real - Meet the iPad
Ok, it is now official - the iPad lives! Click here to wattch the video! Read More
 

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Apple Intros iPad
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