ASSIMILATE Congratulates SCRATCH Artists On Festival de Cannes 2012 Entries
SCRATCH Digital Workflow Software is Backbone of Post-Production for Multiple Cannes Festival Entries
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ASSIMILATE Store Continues Rapid Expansion with Addition of LightSpace Color Management Tools
 The ASSIMILATE Store, the unique on-line marketplace to discover, trial, and purchase SCRATCH Lab, as well as third-party software and selected hardware accessories, continues to build its creative arsenal for DITs and post-production artists with the addition of two LightSpace color management tools from Light Illusion. LightSpace CMS provides fully integrated facility-wide color management for on-set, post-production, and broadcast workflows, and gives SCRATCH and SCRATCH Lab artists the confidence that a matched look is present at every point in both production and post-production.
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From Russia to LA with Love: Real Time Remote Correction Anywhere in the World
 When his clients located in Moscow and Paris seemed to forget that there was a 12 hours time difference and that they were 5,000 miles away and began using head nods and hand signals to show approval for color grades, Jake Blackstone realized that his vision was now reality. Jake began his career as a colorist in Los Angeles and he helped to open the doors to one of the first color correction facilities in Russia located in Moscow. Jake took his dream from Kiev to Los Angeles and created MOD Color (RemoteGrading.com), a company focused on becoming one of the first international color grading companies to offer real time remote color grading. And MOD Color (RemoteGrading.com) was built around Blackmagic Design's DaVinci Resolve.
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SCRATCH Lab is Dailies Workflow Powerhouse for New Generation of Digital Cinematography Cameras
 ASSIMILATE's SCRATCH Lab has taken the production dailies market by storm with its power, versatility and affordability. The recent announcements of native support for the new Sony F65 CineAlta( digital motion picture camera, and the breakthrough performance of 48 FPS playback of stereo RED EPIC streams, are just two examples of why Lab has gained favor so quickly on-set. SCRATCH Lab now delivers the most extensive support for production dailies. From RED EPIC, ARRI ALEXA, Sony F65, Phantom and Panasonic P2, to the Canon EOS C300, 5D/7D, and even the GoPro, Lab continues to set the pace for the industry with support for virtually any combination of popular native formats in a single timeline.
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ASSIMILATE Store Now Features NEAT Video Pro Plug-in and Tangent Element Control Panels for SCRATCH and SCRATCH Lab
 These two exciting new additions to the SCRATCH and SCRATCH Lab ecosystem enable post-production artists to work more creatively and productively than ever before, with greater control in their SCRATCH digital workflows.
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ASSIMILATE Congratulates Chilefilms for Sundance 2012 Winner, Violeta Went to Heaven
 At the Sundance Film Festival 2012 in Park City, Utah (January 19 - 29), several films were on the roster for filmmakers whose post-production companies used ASSIMILATE's SCRATCH(r) DI tool in their digital workflows. The Sundance Film Festival 2012, is the premier showcase for independent American and international filmmakers.
Read More KORG`s micro-series lets you rock it
 KORG has always made cool synths. I remember going down to the music store and playing on them because I couldn't make up my mind which keyboard
Read More Digital Video Expo in Pasadena
Registration is already open?
I haven 't even gotten through plans for June yet. DVE is in September - and I do have some plans for that mont
Read More Adobe MAX steps up LA presence
Adobe MAX has traditionally been later in the year, here in Los Angeles. It appears that MAX will also take place in the Spring of 20
Read More Beauty Box 2.0 for Photoshop gets speed boost
Digital Anarchy announced Beauty Box 2.0 , a significant update of their award-winning skin retouching product. Version 2.0 gives an amazing speed in
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05/19/12
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