At the 65th Festival de Cannes, May 16 - 27, several films on the competition roster have been created by filmmakers whose post-production companies used ASSIMILATE's SCRATCH DI software in their digital workflows for conform, color grading, and finishing. The Cannes Film Festival is the world's premier showcase for independent and international filmmakers.
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When his clients located in Moscow and Paris seemed to forget that there was a 12 hours time difference and that they were 5,000 miles away and began using head nods and hand signals to show approval for color grades, Jake Blackstone realized that his vision was now reality. Jake began his career as a colorist in Los Angeles and he helped to open the doors to one of the first color correction facilities in Russia located in Moscow. Jake took his dream from Kiev to Los Angeles and created MOD Color (RemoteGrading.com), a company focused on becoming one of the first international color grading companies to offer real time remote color grading. And MOD Color (RemoteGrading.com) was built around Blackmagic Design's DaVinci Resolve.
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ASSIMILATE's SCRATCH Lab has taken the production dailies market by storm with its power, versatility and affordability. The recent announcements of native support for the new Sony F65 CineAlta( digital motion picture camera, and the breakthrough performance of 48 FPS playback of stereo RED EPIC streams, are just two examples of why Lab has gained favor so quickly on-set. SCRATCH Lab now delivers the most extensive support for production dailies. From RED EPIC, ARRI ALEXA, Sony F65, Phantom and Panasonic P2, to the Canon EOS C300, 5D/7D, and even the GoPro, Lab continues to set the pace for the industry with support for virtually any combination of popular native formats in a single timeline.
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These two exciting new additions to the SCRATCH and SCRATCH Lab ecosystem enable post-production artists to work more creatively and productively than ever before, with greater control in their SCRATCH digital workflows.
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At the Sundance Film Festival 2012 in Park City, Utah (January 19 - 29), several films were on the roster for filmmakers whose post-production companies used ASSIMILATE's SCRATCH(r) DI tool in their digital workflows. The Sundance Film Festival 2012, is the premier showcase for independent American and international filmmakers.
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Chen Kaige's decision to move the premiere 14 days ahead of schedule put great pressure on postproduction. Even now, the post crew from Hainan International, which contracted for color grading for this film, still remember the state of shock when they were informed of this change. The original schedule was tight enough and after the change, they were left with less than 2 months to grade the feature.
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Adobe Creative Cloud , a subscription-based offering for making, sharing and delivering creative work, featuring Creative Suite 6 ,new HTML5 de
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Anime Expo (AX), North America?s largest anime, manga and Japanese pop culture celebration, today announced Japanese pop culture sensation Danny Choo
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RE:Vision Effects announces support for Adobe After Effects CS6 and Premiere Pro CS6.
RE:Vision Effects, acclaimed effects plug-in industry leader
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Canada's biggest banks have a blueprint for turning cellphones into mobile payment terminals, a key step in a process that could revolutionize the way Canadians pay for purchases at retailers
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Apple (AAPL) today had its estimates reduced through 2013 by Credit Suisse (CS) as the firm expects US smartphone growth to slow down. A $750 price target was issued with an outperform rating.
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When his clients located in Moscow and Paris seemed to forget that there was a 12 hours time difference and that they were 5,000 miles away and began using head nods and hand signals to show approval for color grades, Jake Blackstone realized that his vision was now reality. Jake began his career as a colorist in Los Angeles and he helped to open the doors to one of the first color correction facilities in Russia located in Moscow. Jake took his dream from Kiev to Los Angeles and created MOD Color (RemoteGrading.com), a company focused on becoming one of the first international color grading companies to offer real time remote color grading. And MOD Color (RemoteGrading.com) was built around Blackmagic Design's DaVinci Resolve.
Read More
ASSIMILATE's SCRATCH Lab has taken the production dailies market by storm with its power, versatility and affordability. The recent announcements of native support for the new Sony F65 CineAlta( digital motion picture camera, and the breakthrough performance of 48 FPS playback of stereo RED EPIC streams, are just two examples of why Lab has gained favor so quickly on-set. SCRATCH Lab now delivers the most extensive support for production dailies. From RED EPIC, ARRI ALEXA, Sony F65, Phantom and Panasonic P2, to the Canon EOS C300, 5D/7D, and even the GoPro, Lab continues to set the pace for the industry with support for virtually any combination of popular native formats in a single timeline.
Read More
These two exciting new additions to the SCRATCH and SCRATCH Lab ecosystem enable post-production artists to work more creatively and productively than ever before, with greater control in their SCRATCH digital workflows.
Read More
At the Sundance Film Festival 2012 in Park City, Utah (January 19 - 29), several films were on the roster for filmmakers whose post-production companies used ASSIMILATE's SCRATCH(r) DI tool in their digital workflows. The Sundance Film Festival 2012, is the premier showcase for independent American and international filmmakers.
Read More
Chen Kaige's decision to move the premiere 14 days ahead of schedule put great pressure on postproduction. Even now, the post crew from Hainan International, which contracted for color grading for this film, still remember the state of shock when they were informed of this change. The original schedule was tight enough and after the change, they were left with less than 2 months to grade the feature.
Read More
Curious Turtle has added 3 new chapters of training to their mocha series:
http://www.imagineersystems.com/products/training
Newly ad
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